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Martial art
has a very, very deep meaning

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as far as my life is concerned
because, uh... as an actor,

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as a martial artist,
as a human being,

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all these I have learned
from martial art.

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♪ (WESTERN MUSIC PLAYS) ♪

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(SWORD RINGS)

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You know, when we first started
talking about this show,

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it was ahead of its time,
I think,

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when Bruce Lee was typing it up
and coming up with the idea,

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but it felt like we kinda
brought that to life

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exactly as written,
we're not doing it justice

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because so much time has lapsed,
and the medium has also evolved.

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We felt like it was important
to build this world.

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<i> It takes place
 in 1800s San Francisco.</i>

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At the same time,
it's very contemporary.

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We really wanted to create
three very specific worlds.

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We wanted the world
of Chinatown,

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<i> which is our primary world.</i>

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<i> We also wanted a world
 of the working-class Irish</i>

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<i> to see how they're living
 and they're sparring</i>

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<i> with the Chinese,</i>

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<i> and we wanted the aristocrats
 and the politicians</i>

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<i>because it was really important
 to me to convey</i>

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how the decisions were happening
really,

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at the top
of the government chain

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that were affecting the laborers
in Chinatown.

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The San Francisco of our show
is a seething cauldron

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of intolerance and tension.

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Chinese labor
is just flowing in rapidly.

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<i> A lot of the Irishmen
 who have been the workers</i>

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of the area are being pushed out
for Chinese laborers

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who would work for pennies
but what happened was

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Chinatown kinda grew and became
its own world.

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San Francisco's
sort of a microcosm

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for the United States
at this point.

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<i>It's sort of a powder keg moment
 and a tipping point</i>

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<i> in racial relations
 for the Chinese community</i>

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as we start to climb
towards the legislation in 1882

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of the Chinese Exclusion Act.

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Many people never even heard
of the Chinese Exclusion Act.

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<i> It's a period of history
 that's been glossed over,</i>

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<i> and it was a very harsh
 immigration policy</i>

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<i> that targeted
 one race of people.</i>

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Chinese people
could not own property.

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Chinatowns, a lot of them,
became sort of the boundaries

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within which they were allowed
to be.

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I think back to when
I was in high school,

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and you know,
you take history class,

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US history class,

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and there's literally, you know,
a four-sentence paragraph

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<i> about the Chinese-American
 experience,</i>

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<i> and they helped build
 our country.</i>

53
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And for me, personally, I think
it was important to tell a story

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of a character that's going
through that journey,

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that American immigrant story
we can all relate to.

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JONATHAN TROPPER:<i>
 We wanted to take this time
 in history and take the racism</i>

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<i> and take
 the immigrant experience</i>

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but move it into, you know,

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a more elaborate
and heightened world,

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<i> a world where we could
 also have fun</i>

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and generate a level
of pulp and action.

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My father did that in his films.

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<i> He had amazing,
 entertaining action.</i>

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He had humor, and then
you also got to sprinkle in

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<i> some of the philosophy,
 some of the seriousness,</i>

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<i> some of the deeper messages,</i>

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and this show
is exactly the same.

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It's very Bruce Lee.

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BRUCE LEE:

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When I set out making the show,

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<i> you know,
 because Shannon's involved,</i>

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<i> and I knew that the fans
 of Bruce Lee</i>

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were gonna scrutinize this,
I wanted to give them

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-a lot of to sort of grab onto.
-(GRUNTING)

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There are moments
where I slip in

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some of his famous phrases
into the dialogue.

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<i> There's other times
 where certain fight moves</i>

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<i> we steal right out
 of Bruce Lee movies,</i>

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<i> and it's all done really
 to pay respect to the master.</i>

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It was really, how do we
pay homage to Bruce Lee,

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<i> and at the same time,
 create our own show?</i>

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Bruce Lee has this idea
that our warrior, Ah Sahm,

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<i> would form some kind
 of relationship</i>

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<i> with a cop named Big Bill,
so I definitely wanted</i>

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to take that name and take
that idea that Bruce had

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-and build on it.
-The character of Ah Sahm

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was a character
who came from China

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and came over to America,
you know, searching for someone,

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and then Big Bill was sort of
his adversary/friend

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who sometimes was described
as a drunk,

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<i> sometimes as just sort of
 a loud Irishman,</i>

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but those two characters
really stood out on the page.

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In this world, Ah Sahm is like
the draft version of Bruce Lee.

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We really wanted to get away
from the tropes

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<i> of the 70s and 80s Hong Kong
 action movies,</i>

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<i> where the martial arts hero</i>

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<i> is this sort of pure soul
 on a quest.</i>

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We took Ah Sahm and wanted
to make him really human,

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<i> with flaws, and you know,
 he's very reckless,</i>

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he's impulsive. He doesn't
always think things through,

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and he's very much
the antithesis

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<i>of what Bruce Lee would've been.</i>

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The goal was not to make Ah Sahm
a clone of Bruce Lee,

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so what we do instead is
we find ways of inserting

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some of the Bruce Lee philosophy
into all of our characters.

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BRUCE:

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When people see this show,

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I think they're going
to be surprised.

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There's a lot
of preconceived notions.

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When people hear Bruce Lee,
they hear martial arts.

111
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Of course, there's great action

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but I think
they're gonna be surprised

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<i> how emotionally involved
 they're gonna be,</i>

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and we have the ability
to able to take the audience

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into different points of view.

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These are compelling characters,

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not just Ah Sahm,
not just Big Bill.

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When you watch the show,
you're gonna see that

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<i> we care about every frame,
 every second of this story.</i>

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DANIELLE WOODROW:<i>
 We honored Bruce Lee's legacy</i>

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and what his real hope
for the show was.

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I hope that the picture
I am in...

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would either explain
why the violence was done,

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whether right or wrong
or whatnot.

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(SWORD RINGS)

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♪ (WESTERN MUSIC PLAYS) ♪

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-(CROWD YELLING)
-(SWORD RINGS)


